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    Evan Rachel Wood’s Marilyn Manson doc shows the messy timeline of healing

    The actor’s two-part HBO documentary focused on her allegations against the musician makes for devastating viewing


    Evan Rachel Wood’s Marilyn Manson doc shows the messy timeline of healing

    Adrian Horton

    The actor’s two-part HBO documentary focused on her allegations against the musician makes for devastating viewing

    Fri 18 Mar 2022 13.35 GMT


    here’s a running theme in Phoenix Rising, the two-part documentary on Evan Rachel Wood’s story of domestic and sexual abuse by shock rocker Marilyn Manson, of evidence. Wood, a 34-year-old actor, has old photos from the early stages of her relationship with Manson, whom she met as an 18-year-old in 2006 (he was 37) – cherubic and teenage before, atrophied and vacant after.

    Was Marilyn Manson hiding abusive behaviour in plain sight?

    Barbara Ellen Read more

    The film selects from journal entries recounting her emotions as he turned her against friends and family. There are so many press and paparazzi photos of them together, which makes public fascination with the pair – a gorgeous Hollywood Lolita with middle America’s nightmare in goth makeup – feel even more queasy now. During filming from 2019 until Wood publicly named Manson, given name Brian Warner, on Instagram in February 2021, several other women and former Manson associates come forward with details either mirroring her experience or corroborating her memories riddled by the repetitive trauma, sleep deprivation and drugs she says Manson forced on her.

    I can’t stop thinking about this evidence; most women don’t have near the documentation Wood does, as confirmation or support for their own memories, let alone as material for authorities. As we have seen time and again with first-person accounts stemming from the revelations of the #MeToo movement, there is power and catharsis in disclosure, in telling one’s story. But for all Wood’s personal testimony, her processing of years of memories through the language of trauma and therapy for herself and for us, the pursuit of legal action – the backbone of Phoenix Rising’s narrative – comes down to documentation, files, photos, a case.

    As the star of HBO’s Westworld, Wood has considerable power in her own right, and little incentive to accuse Manson for the sake of publicity, as he has claimed in a defamation lawsuit filed earlier this month (conveniently timed, as Wood told The Cut earlier this week, to the release of the documentary). So it’s disheartening to see, over the course of three hours of film covering months of working through the system, how little changes and how much comes back down to perceived trustworthiness of one’s story. To date, 16 women have accused Manson, 53, of sexual abuse – including the Game of Thrones actor Esme Bianco, whose story shares striking similarities with Wood’s – and four have sued for sexual assault. Manson has denied all allegations and has not been charged with a crime. His defamation lawsuit alleges Wood and her friend, the activist Ilma Gore, concocted a conspiracy to defame him and forged an FBI letter to shore up Wood’s allegations. (Gore, Wood told the Cut, is no longer affiliated with The Phoenix Act, Wood’s non-profit to change the statute of limitations on abuse cases.)

    Phoenix Rising, directed by the Oscar-nominated Amy Berg (An Open Secret, The Case Against Adnan Syed), is the latest in a wave of documentary projects in the #MeToo era that uncovered patterns of abuse by beloved public figures, traced the long shadow of sexual trauma, and outlined the cultures that turned a blind eye. This includes Leaving Neverland, the 2019 HBO series on two thorough accounts of alleged child sexual abuse by Michael Jackson; Catch and Kill: The Podcast Tapes, on Ronan Farrow’s 2017 investigation of Harvey Weinstein, which helped ignite the outpouring of recognition that became #MeToo; On the Record, which follows former Def Jam executive Drew Dixon as she contemplates telling her story of alleged rape by the music mogul Russell Simmons to the New York Times. There’s Lifetime’s Surviving R Kelly, Showtime’s We Need to Talk About Cosby, and Athlete A, on the journalists, lawyers and gymnasts who exposed the systemic of abuse of cover-up of USA gymnastics doctor Larry Nasser. HBO’s Allen v Farrow, released last year, was both an investigation into allegations that director Woody Allen molested his daughter Dylan and a personal account of Dylan’s life warped by trauma, processing and years of public scorn and dismissal.

    Some of these projects strike the balance between messiness of experience, the often cyclical nature of pain and abuse, and clarity of ethics better than others. Some are justifiably postured against retaliation. All deal with the legal and emotional consequences of coming forward against a prominent person. Different alleged crimes and context, of course, but they’re all dealing, fundamentally, with intimate trauma: how it presents and morphs, how one lives with it, how long it takes to begin to understand.

    Wood’s allegations are, to be clear, consistently horrifying. Among them: that Manson repeatedly drugged, manipulated and coerced her on the set of his 2007 music video Heart-Shaped Glasses and “essentially raped” her on camera; that Manson controlled her eating, raped her in her sleep after he gave her a sleeping pill, tortured her with an electric shocking device, beat her with “a Nazi whip from the Holocaust” while she was tied to a kneeler and fed her meth and other drugs without her knowledge. In concert with several other women, some of whom appear in the film in a meet-up, Wood outlines a pattern of love-bombing, isolation, control and abuse.

    Source : www.theguardian.com

    Evan Rachel Wood discusses alleged abuse by Marilyn Manson in new documentary

    Evan Rachel Wood powerfully speaks out about the abuse she says she experienced in a new documentary.

    Evan Rachel Wood discusses alleged abuse by Marilyn Manson in new documentary

    By Chloe Melas, CNN

    Updated 2337 GMT (0737 HKT) March 14, 2022

    Evan Rachel Wood appears in "Phoenix Rising," by Amy Berg, an official selection of the Special Screenings section at the 2022 Sundance Film Festival.

    (CNN)Evan Rachel Wood powerfully speaks out about the abuse she says she experienced in a new documentary.

    "Phoenix Rising -- Part I: Don't Fall" premiered over the weekend at the Sundance Film Festival. In the film, Wood details her alleged abuse by her ex-fiance, Marilyn Manson.

    Wood began working on the project before she publicly named Manson for the first time last year in an Instagram post, stating he "horrifically abused" her for years.

    Manson, whose real name is Brian Warner, has previously denied Wood's claims. He also issued the following statement to the filmmakers through his attorney.

    "[Warner] vehemently denies any and all claims of sexual assault or abuse of anyone. These lurid claims against my client have three things in common -- they are all false, alleged to have taken place more than a decade ago and part of a coordinated attack by former partners and associates of Mr. Warner who have weaponized the otherwise mundane details of his personal life and their consensual relationships into fabricated horror stories."

    Marilyn Manson and Evan Rachel Wood in 2006.

    Wood and Manson first met when she was 18 and he was 37. They got engaged in 2010, but ended their relationship a few months later.

    Wood testified in front of Congress in 2018 about surviving sexual assault to advocate for other survivors.

    close dialog

    The film, directed by Amy Berg, will premiere in two parts on HBO later this year.

    (HBO and CNN are both part of WarnerMedia.)


    Source : edition.cnn.com

    Evan Rachel Wood, in Documentary on Marilyn Manson, Reveals Torture Allegations

    In the conclusion of HBO’s Phoenix Rising, Wood details gruesome allegations of abuse and manipulation by Manson during their relationship


    Evan Rachel Wood, in Documentary on Marilyn Manson, Reveals Torture Allegations

    In the conclusion of HBO’s Phoenix Rising, Wood details gruesome allegations of abuse and manipulation by Manson during their relationship

    By Evan Minsker March 16, 2022

    Evan Rachel Wood, photo courtesy of HBO

    Note: This article includes details of alleged assault that readers may find disturbing.

    The conclusion of the two-episode, Amy Berg–directed documentary Phoenix Rising, which focuses on Evan Rachel Wood’s abuse allegations against Marilyn Manson, airs tonight on HBO and is currently streaming on HBO Max. In part one, Wood shared previously unreported details about an alleged assault that took place during the filming of one of Manson’s videos (a claim Manson’s attorney later called “false”). In part two, she detailed the ways that Manson allegedly tortured her.

    Wood alleged the torture began after she finished filming The Wrestler in 2008. She claimed that she was isolated inside Manson’s home in Glencoe, California for months. There, she said she experienced sustained emotional abuse and sleep deprivation. She accused Manson of drugging her with meth and raping her:

    This is also when I suspect he started putting meth into the drugs. I remember thinking that the drugs were a lot stronger than they had been. My nose was bleeding all the time. I started getting scabs all over my body, all over my face. I was digging into my skin. I didn’t know what meth was. I didn’t know I was doing meth. I started getting really sick and was throwing up every day. I couldn’t get out of bed. And he wasn’t doing anything, he just didn’t care. He just wanted me to be there.

    This is also when he started raping me in my sleep. He would give me a pill to go to sleep, but I never knew what the pills were, so I was always pretty out of it. So I’d wake up, and I just remember doing the mental math quickly and thinking, “Just stay asleep, just don’t move, just don’t move.” So I would just lie limp and still until it was over, and then I swear to God, he would just fling my leg and walk out of the room.


    After this period, Wood said she fled Manson’s home and spent time at her father’s house. Wood’s mother claimed that Manson told her something he later repeated in a 2009 interview—that he cut himself 158 times for every time Wood didn’t answer his calls. Wood said she returned to Manson to “diffuse the situation” and applied Neosporin to his cuts. She said she went back to him for fear that a restraining order would “make him more mad,” explaining that her decision was rooted in the kind of fear survivors of abuse often experience.

    “That was around the time that he tied me up and tortured me,” Wood said. Speaking to a room of other women with their own allegations of abuse against Manson, Wood described walking into Manson’s bedroom after returning to him to find a piece of furniture called “the kneeler.” She said that was when he tortured her:

    After he tied me up and hit me over and over and over again with a whip—which was a Nazi whip from the Holocaust with a swastika on it because I’m Jewish—I was tied to the kneeler and he hit me over and over again and said that he was going to hit me in the same place over and over again so that it would really hurt. And then he shocked me with a violet wand on the welts. He shocked my private parts and it hurt so bad that I broke the kneeler. I jerked so hard that I broke the kneeler and collapsed in a pool of tears in his arms. And I remember in that moment thinking, “Tell him whatever he wants to hear.”


    Wood said that after she apologized to him repeatedly, Manson cut his hand and made her drink his blood, and then cut her and drank her blood. She described how a feeling of disassociation and subsequent trauma changed her life. “The world is just never the same,” she said. “It’s never the same because everything that happens to you after that point is through the veil of this memory. You know it’s out there. You know that’s in the world. You know that people are capable of doing something like this.”

    She alleged that during the filming of the 2011 HBO miniseries Mildred Pierce, she learned that she was pregnant. “From the beginning of our relationship, he always had an issue with whatever birth control I was using,” Wood said. “I went through like every type to see which one he liked, and he didn’t like any of them. So essentially, he didn’t want me using birth control. He refused to wear a condom ever, and it was very much sex-on-demand and it was going to cause more problems if I said no. You don’t have time to use birth control when somebody’s just penetrating you while you’re asleep or if they’ve given you a pill that made you black out.”

    In the episode, Wood also discusses suicidal ideation and self-harm. Phoenix Rising concludes with the moment when Wood publicly named Manson as her alleged abuser for the first time in 2021.

    Manson has repeatedly denied all allegations of sexual assault. Before the televised premiere of Phoenix Rising, Manson sued Wood and Illma Gore for defamation. Wood responded to the lawsuit in a TV appearance this week.

    When reached by Pitchfork, Howard E. King, an attorney for Manson (whose real name is Brian Warner) said, “As we detailed in our lawsuit, nothing that Evan Rachel Wood, Illma Gore or their hand-picked co-conspirators have said on this matter can be trusted. This is just more of the same. But, then again, what else would you expect from a group who have spread falsehood after falsehood about Brian and even went as far as to forge an FBI letter to further their phony claims?”

    Source : pitchfork.com

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